Pivotal Event #12 They said, “Yes.”
November of 2006 (photo above) was my first Crawl. I was fascinated by all the artists who took part and all the people who attended. I thought, "This is a wonderful way to share art." I was hooked! So in the
Pivotal Event #11 Gifts from the Future
I'd like to share another example of how my brush sometimes seems to know what it's doing even when the rest of me might not. Maybe you have had an experience like this while creating? Every now and then when I least
Pivotal Event #10 Inspired by Place
In my early days of painting I thought that I would become a cool, hard-edged abstract painter. Maybe you can picture what I had in mind? Sort of contemporary chic and edgy, wearing a lot of black, so cool as to be
Reflections and questions from pivotal events 7, 8, 9
Photo above: During my brief "representational" phase, circa 1986 What have you learned in your own life about the steps to success? How did you learn those lessons? What role has a mentor (or your own experiences) played in helping you see
Pivotal Event #9 “Keep on keeping on”
A few years into my fledgling career as a painter, I took another artist out for coffee. He was what I considered to be a successful artist—well-known with a well-established track record of sales and shows and accolades. I asked him
Pivotal Event #8 “Dancing in the Street”
If you had been walking along 4th Avenue in Kitsilano one fall day in 2010, you might have seen an artist dancing in the street. That artist was me. I was dancing and singing “Yes, oh yes, oh yes!” and
Pivotal Event #7 “Close calls and lost leaders”
Imagine you are a painter just starting out. You rent a studio and you go there every day, inspired to paint. You don’t yet know anything about the business side of making art and you don’t yet have an income but you
Reflections and questions from pivotal events 4, 5, 6
Photo above: Colouring the whole world, circa 1986 How has contact with other people in your field helped you grow in your success? Can you point to times when new knowledge you gained about your materials has helped you better express your
Pivotal Event #6 “Brushes, Brayers, and Burnt Umber.”
One of the best things I ever did for expanding my technical knowledge was to take a job at Opus Art Supplies (Granville Island). A few months after I got my studio and began painting full-time I was on the
Pivotal Event #5 “A place to make a mess.”
I had outgrown painting in my bedroom. I was now dragging my supplies up to our flat-top roof when the weather was dry or out to the garage when it was raining. I knew that being serious about painting meant